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-65%The Girlsâ
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$8.40The Story
With âmuch humorâ and âawareness of family dynamicsâ this classic novel âstands as an enduring portrait of women torn between duty and self-fulfillmentâ(Publishers Weekly).
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First published in 1921, Edna Ferberâs The Girls revolves around the âthree Charlottesâ of the Thrift familyâGreat-Aunt Charlotte, her niece Lottie, and Lottieâs niece Charley. All single âold maids,â as the narrator describes them, their lives weave together as they deal with issues involving money, work, friendship, family, and love as they strive to join Chicagoâs growing middle class in the early twentieth century.
With a historic span that travels from the Civil War to World War I, Ferber highlights how the three generations of Charlottes lead very different lives. But we also see the ways their experiences rhyme with one another and how, despite the social advances in America, as Kathleen Rooney writes in her introduction, all three have to confront âa sexist and claustrophobic societal atmosphere in which any little act of self-assertion can feel like a leap from a precipice.â
Told through Ferberâs assured and generous style, and full of her signature strong female characters, The Girls is an American classic.
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âThis is one of those books that nails setting and character so well that plot is mostly beside the point. . . . Ferber splits the difference with clearer prose and keener insight than [Sister Carrie author Theodore] Dreiser managed, while incorporating some of the same dry humor that [Babbitt author Sinclair] Lewis used to describe midwestern strivers.â âDmitry Samarov, Chicago Reader
âWritten with such verve and insight that it could be a piece of historical fiction produced last week.â âPatrick T. Reardon, Third Coast Review
Â
First published in 1921, Edna Ferberâs The Girls revolves around the âthree Charlottesâ of the Thrift familyâGreat-Aunt Charlotte, her niece Lottie, and Lottieâs niece Charley. All single âold maids,â as the narrator describes them, their lives weave together as they deal with issues involving money, work, friendship, family, and love as they strive to join Chicagoâs growing middle class in the early twentieth century.
With a historic span that travels from the Civil War to World War I, Ferber highlights how the three generations of Charlottes lead very different lives. But we also see the ways their experiences rhyme with one another and how, despite the social advances in America, as Kathleen Rooney writes in her introduction, all three have to confront âa sexist and claustrophobic societal atmosphere in which any little act of self-assertion can feel like a leap from a precipice.â
Told through Ferberâs assured and generous style, and full of her signature strong female characters, The Girls is an American classic.
Â
âThis is one of those books that nails setting and character so well that plot is mostly beside the point. . . . Ferber splits the difference with clearer prose and keener insight than [Sister Carrie author Theodore] Dreiser managed, while incorporating some of the same dry humor that [Babbitt author Sinclair] Lewis used to describe midwestern strivers.â âDmitry Samarov, Chicago Reader
âWritten with such verve and insight that it could be a piece of historical fiction produced last week.â âPatrick T. Reardon, Third Coast Review
Description
With âmuch humorâ and âawareness of family dynamicsâ this classic novel âstands as an enduring portrait of women torn between duty and self-fulfillmentâ(Publishers Weekly).
Â
First published in 1921, Edna Ferberâs The Girls revolves around the âthree Charlottesâ of the Thrift familyâGreat-Aunt Charlotte, her niece Lottie, and Lottieâs niece Charley. All single âold maids,â as the narrator describes them, their lives weave together as they deal with issues involving money, work, friendship, family, and love as they strive to join Chicagoâs growing middle class in the early twentieth century.
With a historic span that travels from the Civil War to World War I, Ferber highlights how the three generations of Charlottes lead very different lives. But we also see the ways their experiences rhyme with one another and how, despite the social advances in America, as Kathleen Rooney writes in her introduction, all three have to confront âa sexist and claustrophobic societal atmosphere in which any little act of self-assertion can feel like a leap from a precipice.â
Told through Ferberâs assured and generous style, and full of her signature strong female characters, The Girls is an American classic.
Â
âThis is one of those books that nails setting and character so well that plot is mostly beside the point. . . . Ferber splits the difference with clearer prose and keener insight than [Sister Carrie author Theodore] Dreiser managed, while incorporating some of the same dry humor that [Babbitt author Sinclair] Lewis used to describe midwestern strivers.â âDmitry Samarov, Chicago Reader
âWritten with such verve and insight that it could be a piece of historical fiction produced last week.â âPatrick T. Reardon, Third Coast Review
Â
First published in 1921, Edna Ferberâs The Girls revolves around the âthree Charlottesâ of the Thrift familyâGreat-Aunt Charlotte, her niece Lottie, and Lottieâs niece Charley. All single âold maids,â as the narrator describes them, their lives weave together as they deal with issues involving money, work, friendship, family, and love as they strive to join Chicagoâs growing middle class in the early twentieth century.
With a historic span that travels from the Civil War to World War I, Ferber highlights how the three generations of Charlottes lead very different lives. But we also see the ways their experiences rhyme with one another and how, despite the social advances in America, as Kathleen Rooney writes in her introduction, all three have to confront âa sexist and claustrophobic societal atmosphere in which any little act of self-assertion can feel like a leap from a precipice.â
Told through Ferberâs assured and generous style, and full of her signature strong female characters, The Girls is an American classic.
Â
âThis is one of those books that nails setting and character so well that plot is mostly beside the point. . . . Ferber splits the difference with clearer prose and keener insight than [Sister Carrie author Theodore] Dreiser managed, while incorporating some of the same dry humor that [Babbitt author Sinclair] Lewis used to describe midwestern strivers.â âDmitry Samarov, Chicago Reader
âWritten with such verve and insight that it could be a piece of historical fiction produced last week.â âPatrick T. Reardon, Third Coast Review











